Synthesizer

To make this synth, I opened up the ES2 synthesizer in Logic, changed the tantrum to series, turned on poly and made sure it was in unison and opened up a second and trine waveform. Next, I split the waveforms evenly using the a turf oute triangle fgure. I lap a cutoff to 1 and 2, and used envelope 2 for the cutoff. Finally, I turned both cut aimtings all the way to the right from this I got an upbeat dance- style synth that Id be happy to use on any dancepop/electro track that I was trying to createSynth 2 For this next tutorial, I wanted to devour synthesized drums, so I made a basic drum pattern in ultrabeat opened up the ES2 synthesizer. The first thing I did once I had the ES2 synthesizer open was change the default predetermined to plain sine. Next, shorten the attack significantly. Then, I shortened to the change integrity to a little less than half, took away(predicate) all of the sustain, then shortened the release to about 1/6. Then, I changed the come downtings so that the pitch go away be modulated by envelope 2.After, I turned on the filter nd set the drive to about 0. 10 to give some realistic harmonics. Finally, I set the sine level up a bit to give a bit more of a bass with child(p) and voila The perfect synth percussion to add to a d&b or rap track. Synth 3 For synth subjugate three, I set out to make a house/techno-type synthesizer. I opened up my ES2 synthesizer. First, I set the first give to sine and right clicked down to number 59 cryl and lowered the channel to -17s. Next I enabled the second channel, put it on a saw tooth and lowered it to -24.Next I enabled the third hannel, went to sine and set it up to vox3 and set this one to -36s. Brought the icon in the triangle to the center so the sounds are balanced, then turned the analog halfway up. I went to the top and set it to ono and brought the voices down to 4, set the distortion to about 13. 600db. Finally, I routed envelope 1 to cutoff 2 and set cutoff 2 down to O. Lastly , I set the decay up, however, I also like it when I set the decay all the way down, yet still making for a delightfully electronic sound that would chequer any good house/techno trackSynth History Perhaps the first fully electronic instrument came along Just before the turn of the 20th century, in 1899, when William Duddell took technology used in the one C arc lamp, which was known for making a lot of noise, from a high-pitched whistle down to a low hum. Duddell had the lamp examined and his workers cuncluded that the more voltage the lamp received, the higher the pitch of the sound it gave off would be. Duddell hooked a keyboard up to the lamp and tentatively titled it, The Singing Arc, thus birthing the first fully-functional electronic instrument